Attack of the Jersey Mods – The Insomniacs

When it comes to discussing the Mod scene in NY/NJ, during the 80s a couple of choice names always seem to come up—Mod Fun and The Secret Service. While those two ensembles certainly lived up to the intense buzz they created, no one back then would have guessed that three of their fans from across the Hudson would form their own group and end up surpassing their idols.

The Insomniacs, Clash Bar March 22, 2007. Clifton NJ.
The Insomniacs, Clash Bar, Clifton NJ. March 2007.

The Insomniacs originally consisted of the brothers Robert and David Wojciechowski who, along with their pal Mike Sinnochi, formed the core of the group for many years. As long time denizens of the Dive, all three were all well aware of and active participants in the mod and garage scenes. Soon after the demise of the brothers’ previous band, The Tea Party, Dave, Bob and Mike began performing newly written material under the name The Insomniacs.

The InsomniacsAlmost immediately they built up a strong following in the NY/NJ area. That, coupled with the bands incendiary live performances were enough to catch the attention of Estrus records honcho Dave Crider, who signed them to his label in 1994. This 45 produced in 1991 however, is the first single they put out. It showcases the bands strong, hard-edged, 60s flavored pop songs that would garner them acclaim not just here, but overseas as well. Sharp fans will notice that this 45 version is markedly different from the version that wound up on 1994’s CD collection Wake Up! As Dave said “The Estrus version was a totally new recording for the “ghoul” ten inch. It’s much faster as by then we were playing all the time and that’s how we did it live.”

Advance apologies for the snap, crackle, and pop. My copy somehow amazingly managed to survive not only being stepped on, but also having cheap beer spilled on it! A testament to the raucous record release atmosphere at McCarthys Bar that night.

The band still performs occasionally, with new drummer Joel replacing Mike Sinnochi who retired from performing.

It’s a Chantry, Chantry, Chantry World

d81ea8bc6b1736b9ce0385398383c5ddI hate to say it, but there are few people I really look up to in terms of graphic design. And, it’s definitely not because of the lack of talent out there. While I was able to carve out a career in publishing in spite of myself, what truly makes my wheels spin is an entirely different beast. One that is entirely at odds to what is generally perceived to be the typical design aesthetic.

Looking back, I guess coming of age during the 60s and 70s nailed directly in front of a B&W television didn’t help. As Joey Ramone said “It’s TV’s fault I am this way”. The tube shaped not just my design appreciation but also my cultural tastes. One that fit perfectly into what was to soon become the 80s punk side of me. From that point on there was no looking back.

It was during these years of discovery that I started running across designer Art Chantry’s work. I couldn’t believe that not only did someone actually think the same way I did, but was able to make a career celebrating lo-fi vernacular art. Suddenly I didn’t feel quite so out if place digging for discarded 50s clipart in my publishing companies trash pile.

e1adb60240eaaa59a7838e3263bb31aeAs the years went on and Art’s work started becoming more and more well-known outside punk circles, I began to feel like the guy who saw the Stones when they played at the Crawdaddy. Imitators started piling on and pretty soon you couldn’t sneeze without running into some company milking the “nostalgia” bandwagon. Nevertheless, Art kept on doing what he did—like no one else.

Interviews and exhibitions furthered my admiration and respect for the man. It also emboldened me to know that yes, you could do what you are passionate about and be successful. Its a simple thing that pretty often we all lose sight of. Especially in a culture that values self-promotion and loudness over substance.

Thanks Art. I still have my clipart…