Safe European Home: Overseas Vinyl

The Bohemian Bedrocks
The Bohemian Bedrocks at The Dive. left to right: Orin Portnoy, Bobby Belfiore, Elan Portnoy, and Ira Elliot. Photo courtesy www.cheepskatesmovie.com

Sadly, like much of the history of early rock and general in general, it was the young kids of Europe to first notice and then support U.S. punk bands. Taking this principle to heart, NYC bands have found greener pastures touring Europe for the longest time. Often coming back with tales of how they would suddenly find themselves playing to thousands of people at outdoor festivals. Only to then jump on a plane, arrive in NYC a few hours later, and then play to the same 20-50 familiar faces the following week.

A perfect example of the Euro connection in regards to NYC garage bands was The Headless Horsemen. In 1987 a Dutch label, Resonance Records, showed a strong interest in releasing their first LP. However, once the record came out, the label then pushed the band to release an EP the following year. Essentially, using up songs that were slated to go on their second full length. Although the EP was solid and a great addition to their catalog, it didn’t sell well. While the band still toured successfully, the combination of fewer tracks at an LP price didn’t help their cause at the merch table. The record did make it stateside but, priced like an import, that too quickly disappeared. Soon Resonance went out of business.

Another NYC band with an interesting Euro connection was The Bohemian Bedrocks. A short-lived mid-80s group that contained members of both The Fuzztones and the future Optic Nerve. While the band both played out and recorded original material, their material was never released. After a year of performing, half of the guys went back out on tour with The Fuzztones while the other half became the aforementioned Optic Nerve. The Bedrocks ceased to be. (Some rare images from the Bedrocks live gigs, can be found on David Herrera’s informative site chronicling the Dive nightclub. Link HERE.)

Come 2012 though, Germany’s Screaming Apple Records came to the rescue. While they were only too eager to release the tracks by this quasi-supergroup in Europe, the import was hard to find in US stores. Even now, years later, while I was on a hunt for a new copy, I only found overseas vendors selling them.

Thankfully, this was not the end of the story for both records.

To say I was caught by surprise when Elan Portnoy revealed he had copies of both these imports (as well as the 1st HH LP and Rarities LP) for sale, is putting it mildly. Judging by the responses on his FB page, I was not alone. A quick email to Elan confirmed that he had “been sitting on these for a long time. Ever since they came out!” One week and one Paypal payment later, the records arrived.

Headless Horsemen Bohemian Bedrocks Records
Fuzz in a Box: Recently unearthed copies of the Headless Horsemen’s Gotta Be Cool EP and The Bohemian Bedrocks LP.

Hearing them now after so many years is an experience unto itself. On the one hand, you’re glad that finally, they’re a bit more widely available stateside. Then again, it’s hard not to feel a bit wistful to hear both groups at the prime of their existence, playing their strongest material to a (then) limited audience.

Alas while we cannot turn on the Wayback Machine, we can easily order these records once again. They certainly do not deserve to be stacked away in a storage container somewhere, unheard and more importantly, not enjoyed. Not only do they represent a specific time period in NYC, but also a moment in time where every member of these bands was concerned with just one thing. Making you have a lease-breaking, no-holds-barred good time. And that dear friends are as good a reason as any to crack open your billfold.

The Headless Horsemen’s Self-Titled 1st LP, You Gotta Be Cool EP (Resonance Records), and Demos and Rarities LP (Dangerhouse Skylab) are available for purchase along with The Bohemian Bedrocks LP (Screaming Apple) from Elan Portnoy. $20/LP, $15/EP. Postpaid (US). For more information contact Elan at elanportnoy(at)gmail(dot)com.

The Vipers — Remastered!

vipers-at-cbgbs

If this site had a patron saint, it would have to be The Vipers. For the short period that they existed, they not only laid the ground work for the scene but also inspired innumerable others to take up the cause. To this day, even garage music fans in Japan know about them. So, to know that the first LP was never properly reissued was truly a crime. One that ex-Viper Paul Martin was happy to take on.

Outta The Nest!Now the fruits of his labor of love are available for anyone to purchase. How good is this album? To quote Mike Stax in Ugly Things fanzine “The Vipers set themselves apart with superior songwriting chops and a melodic, harmony-based sound that was closer to the Knickerbockers and the Turtles than the Seeds or the Music Machine. While other bands got by on attitude and bluster, the Vipers used finesse, a quality that served them particularly well on Outta the Nest!”

While the disc does not have any extra tracks, the sound was remastered from a pristine original pressing and pressed on heavy vinyl. To say the sound jumps out at you is putting it mildly. Its an amazing job considering the material. A 24″ x 36″ poster rounds out the package.

Garage music die-hards can do themselves a favor and pick up the vinyl straight from the source. Rocka-Rola Records 101A Clay Street, San Francisco, CA 94111. $25 (US & Canada). Paypal devotees & inquiries: vipersnyc@yahoo.com!